I'll think of something later

An impressionistic outlet for some of those thoughts, musical and otherwise, I don't have a chance to air in the media

Friday, 3 January 2020

Weill in the 1930s: Silver Lake and Deadly Sins

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In a departure from the usual format for my Opera in Depth terms at Pushkin House - two operas over ten Monday afternoons, one in the ca...
4 comments:
Thursday, 26 December 2019

Solstitial sunrises from a Palma balcony

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We lucked out, as they say, with this view from an apartment recommended by our friend Sophie Sarin (currently in tougher climes back in...
7 comments:
Wednesday, 18 December 2019

Good Chance conviviality in Dalston

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So now's the time to forge closer ties with organisations within the UK that can make a difference, in line with the 'political...
6 comments:
Thursday, 12 December 2019

The only reason...

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...you need concerning what NOT to vote for today. If Clarke, John Major and Michael Heseltine are agin Diana Ditch and her Chamber of ...
7 comments:
Tuesday, 10 December 2019

First person singular: Ferrante and Tokarczuk

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Here are two novels in which the narrators are so careful with their words that the response must be terse too - and elliptical, too, in ord...
Saturday, 30 November 2019

To Hades and back with Gluck's Orfeo

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If you take Gluck's original 1764 score for Vienna, his Orfeo ed Euridice is one of the shortest and superficially the simplest thr...
4 comments:
Sunday, 24 November 2019

To the Strahov Monastery

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Booked into the most spacious of top-floor hotel rooms for my evening at Prague's Rudolfinum hearing Semyon Bychkov conduct the Czec...
4 comments:
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