Showing posts with label LGBT. Show all posts
Showing posts with label LGBT. Show all posts

Sunday, 28 June 2015

Because we could



That's the answer to the question 'why get married when you're already civilly partnered and you've essentially been married for 27 years?' It's a question of everything being fair and equal at last, of more rights, practically speaking. In an iconoclastic moment, the 'habibi' - which we agreed would be as close to the rather proprietorial title 'husband' as we're going to get - gave his permission for one facial shot on the blog, chosen by him. So I waive the objection that I'm not at my jolliest-looking - I assure you I was extremely jolly throughout - and not wearing my garland, one of two woven out of  favourite flowers, peonies and cornflowers, by our delightful Swedish friend Pia (on the right below) and presented by her as a complete surprise during our wedding tea party at the Garden Museum.


This is me on the day, 15 June, speaking about how glad we were to follow so serendipitously in the wake of the people's choice in Ireland ('a sad day for humanity,' according to a Catholic cardinal, a jubilant one for the majority).


I also wanted to draw our friends Claire and Howard, 18 years together, into the picture. Some weeks back, Claire and I were having a deliriously topsy-turvy time at the all-male Pirates of Penzance on its Richmond leg. She asked why we were buying into the marriage thing, said she'd always been dead against it but that a lawyer had suggested that for the sake of the legal aspect, with special regard to their two children, she and H probably should. My 'no big deal' line clinched it and they announced their banns on the same day as we got our certificate. Which meant returning to Camden Town Hall and finding, from our very delightful and warm registrar, that the form-creating might take 45 minutes on top of an extended wait. So she said she'd do most of the paperwork and post the certificate so we could get off to the party. The odious Mr Panz - featured here in the days when I called him Pantz - had promised to behave himself, though he took a chance for a nap during registration


and was generally soothed by one of his family, bridesmaid and youngest goddaughter Mirabel (she, mother Edwina and Panz were the only attendees up in Camden). Here she is admiring five of the seven princess cakes from Bagariet, the superb Swedish Bakery in the West End, which went with the champagne for the party


after which about 15 of us went on to Gypsy - me for the second time, Ma, J and goddaughter Rosie May among the rest for the first. And who could not love it? I'm so glad and proud that Ma, 84, made it up from Banstead for the tea party and the show, which was just her thing (a thousand thanks to Liz, her valiant driver and friend). I reckon Imelda Staunton, who's not missed a show so far, has added stuff to "Rose's Turn". We agreed that the ensemble is uniformly excellent.


Broadway no doubt lit the lights and hit the heights for the big American victory after the Supreme Court decided, rather surprisingly, in favour of same-sex marriages across the States. We feel privileged to have sandwiched our afternoon coincidentally between the Irish and American victories. Best of blogging friends Susan Scheid, a recently retired New York lawyer, celebrated (with the proviso that the law has been way too slow to catch up with the way we live our lives) and provided a link to the document here. Obama has been on a natural crest of a wave recently, too, handling a heckler at the White House's Pride Month party, speaking eloquently about the judgment and leading 'Amazing Grace' to commemorate the Charleston Christians massacred by a would-be White Supremacist.


Another thing I heard which moved me to smile through tears was a group of friends and colleagues of the late Reverend Clementa Pinckney on the BBC World Service, remembering him with laughter and affection as remarkable senator as well as good religious pastor, proving by their very testaments how 'alive' he still is. Oh, and let's not forget Charlotte Church's amazingly good speech at the End Austerity Now demonstration march (which I couldn't attend because we were still basking in Sicilian food, footpaths, sun and sea). There's an awful lot of good in this struggling world, despite the daily chronicles of suicide bombings, persecution of gays in countries less fortunate than ours, Putin's dangerous lies and IS pathology.

29/6 Another reason to be cheerful, even as the Greek state totters. Courtesy of Greenpeace:

Friday, 20 December 2013

Norfolk churches annunciation

 

£1600: that's the amout we brought in between the four of us for the Norfolk Churches Trust after our September circular walk from Beechamwell, with the last major church on the route the rich and well-tended St George's Gooderstone (upper medieval panels of its south transept window pictured above). Warmest thanks to all who contributed: your cheques will at last have been cashed, I hope, by trusty Mary Heather of Burnham Thorpe, Nelson's church, to which the lion's share (I forgot what percentage) will go.Below: window from East Runcton, a conservation special, seen on an earlier walk.


We handed the money over to our leader and organiser Jill at the National Churches Trust's 60th birthday celebrations in Westminster Cathedral two Thursdays ago. The music was splendid, though sung by the -very fine - Westminster Abbey Special Services Choir rather than the usual one with the boys (in school, I guess). Readings were given by dubious TV celebrities Bettany Hughes and Bear Grylls, whom I've never set eyes on before; he seemed rather pleased with himself and chattered to his partner through the first half of Purcell's I Was Glad. That lovely actress Geraldine James, though, I adore, and she delivered a rather fine poem by Rowan Williams (picture below from the National Churches Trust's picture stream).


I was less impressed by Williams' successor as Archbishop of Canterbury, Justin Welby, who doesn't have the most beguiling of voices and made the grandiose and wishful assertion that even the deconsecrated churches would eventually be filled by the 'growing numbers' of Christians ('not "if" but "when" '). One look around the packed abbey told one that this was an ageing community, though I suppose you could argue that new generations will grow into the religion. I doubt it. Certainly not for me any Christmas sermon by this man. On the other hand, in the present Archbishop of South Africa Thabo Cecil Makgoba, we have a highly articulate successor to the great Desmond Tutu. Please stay with him once you've clicked on this YouTube link (no embedding as yet available) - not that you wouldn't be compelled after the first few seconds - as he puts it so well about respecting the gift of difference.


We need leading Africans of dignity and eloquence even more now that Uganda has today passed its obscene law enacting life-long imprisonment for its gay citizens.

Anyway our cash would barely make a dent in the sums needed to repair the recent flood damage, which I'm guessing has spared most of the churches - the ones along the coast tend to be sensibly built on eminences. I'm almost tempted to re-read two fine novels featuring more terrible floods in the past, Jeremy Page's Salt and Dorothy L Sayers' The Nine Tailors (which of course also has a composite Norfolk fenland church at its centre). Jill sent this photo from the Eastern Daily Press (credit: Matthew Usher) of Kings Lynn's Customs House looking like a Venetian palazzo.


I last saw it in late summer light looking like this.


Too many churches sighted since our September walk: Layer Marney, East Mersey, Great Wigborough and Aldbury all need chronicling. But before I lose sight of it altogether, here's a church with a real gem of a south chapel, that of St Mary Bromham, Wiltshire. We visited it more or less spontaneously on the way to a sweeping downs walk on the last day of our late summer stay in Lacock (where we're heading again soon).


The Tocotes amd Beauchamp Chapel, licenced in 1492 and later called the Baynton Chapel after later incumbents, is richly decorated both within and without. Pevsner on the exterior: 'it is three bays long and extremely ornate. Buttresses decorated with thin buttress shafts and pinnacles. Five light window with angel busts at the apex.' Indeed, angels are everywhere, without


and within.


'Battlements with quatrefoils, pinnacles with their own decoration'.


The chapel boasts a fine painted ceiling


and several handsome tombs. There's one of Purbeck marble to Elizabeth Beauchamp, circa 1492. Pevsner again: 'tomb-chest with cusped quatrefoils containing shields. Canopy arcading merging into the heavy top. Against the back wall kneeling image of brass.'



Sir Edward Baynton's tomb-chest dates from a century later, with an abundance of family brasses.


There's also an alabaster effigy of Sir Richard Tocotes, d.1457, in the south transept, much graffitied - the inscriptions in themselves of interest - but very fine for all that




and plenty of original stained-glass canopies, with fragmentary glass around them.


We did the usual post-interior thing of walking round the outside, for the whole of the chapel needed seeing



but had quite a surprise on the north side: the giant celtic cross looked familiar.


It was, of course, the famous monument to Thomas Moore, whose Irish melodies - mostly in Britten's arrangements - J had sung at nearby Bowood the previous June. The inscription, which it was hard to see in the shadows, quotes ' O harp of my country'.


Shame we didn't realise Moore's home, Sloperton Cottage, was so close. J needs to learn more rep, and only the other day I was listening to Berlioz's Moore settings. They're not all inspired, but 'Adieu, Bessy' is a winner. Happy memories, anyway - a last shot, of singing around the piano beneath Tom's portrait at Derreen House, Country Kerry one idyllic summer.


Our dear friend Julie's mum Nora Morrice (right) is no longer with us, so we remember her with the greatest fondness. 'Lovely lady, lovely lady', our English master at my grammar school, the great 'Tibby' Bircher, used to sigh when we read scenes between Desdemona and Othello. Nora was truly that.