Showing posts with label Fox Talbot. Show all posts
Showing posts with label Fox Talbot. Show all posts

Saturday, 4 January 2014

Christmas in Cranford Lacock




We did very well without the fake snow and the weird filming at what was clearly the wrong time of year in the two slightly disappointing episodes following up the best of telly's classic series. Lacock in Wiltshire is the perfect fastness of our friends the Van der Beeks whose National Trust-owned home played host - most famously, in my life - to the diplo-mate's stupendous 50th birthday party. More people will know Lacock's ideal village as a suitable location for the Midlands setting of Elizabeth Gaskell's cosy women-rule-the-roost Cranford tales when they came to be adapted and interwoven by the Beeb (our hosts' residence, Cantax House, has also featured in the Harry Potter films, though don't ask me where as I've only ever half-watched one of them).

What we did have to negotiate on our Christmas Day walk was the fallout from the previous few days' floods. Fortunately there's been no building on the floodplain of the Avon and I understand the only badly affected house was an old mill. The water meadows did what they're supposed to do, looking quite a pretty sight both from Bowden Hill (up top) and as we approached Raybridge.


Down at the bridge pedestrians had the edge over cars, since the road was impassable. Not so the raised route for feet (and bicyles) only.


In the summer J and I went straight up the road, but Andrew led us on his preferred route along the banks of the local canal via a field that looks more northern France post-1914 than Wiltshire.


The Wilts and Berks Canal is a fascinating case of a disused waterway being brought back to life by active locals in recent decades.


It opened in 1810 to bring coal from south of Bath to the area, but with swift exhaustion of that resource fell into disuse and was abandoned in 1914, the final death-blow having been dealt by the collapse of an aqueduct 13 years earlier. Some of it still remains filled in, but our stretch was vigorously restored and includes the handsome Double Bridge (re)launched by Camilla, the canal trust's patron, in 2009.


Of course an ivy-covered ruin is more picturesque than this, but hopefully it will regain a weathered appearance within a few years. We were grateful for it, anyway, because a walker going in the opposite direction told us that the flooding meant we wouldn't be able to cross further up where Andrew had intended. We headed up a field with views of the rather ugly house in which Michael Tippett lived with Meirion Bowen for so many years. Half the field was in shade, and the night's frosts meant more pleasurable walking than the saturated ground we'd so far covered.


We crossed Nocketts Hill to Bowden Park, with views of Wyatt's 1796 house to our left and the floodplain below straight ahead. The high beeches on the top of the hill looked especially splendid in their skeletal outline.


Down to Bewley Court, and a wood full of birdsong (the mild winter so far means they're all out scrummaging), and then to the more famous of the two bridges near the Abbey, also closed to traffic. No walking across the meadows here for obvious reasons.


 


Sunset, and home to (eventually) a splendid goose


with sprouts and cavolo nero inter alia



to accompany.

Deborah's decorations were as original as you might expect from a true artist (scroll down this blog entry for shots of her exquisite bathroom muralling).


The hall collection of animal skulls was suitably feathered


or clementined, in which company our marzipan pig from the splendid new Swedish cafe Bagariet in Covent Garden seemed naturally at home.


The garden is still looking splendid in the dead of winter, especially as the mists began to burn away and steam rose from the bourne at 8.30 on Boxing Day morning.



The yew lady stands proud by the green castle.



Soon there was activity in the village which I hadn't bargained for - what else but the Boxing Day meet for the hunt.




My first experience of such a thing, and purely as pageantry it's handsome enough with the black and red ('pink'*) jackets, the horses' banded manes and tails and the occasional top-hatted, veiled, side-saddle dame. But investigate further and you unearth the social divide it represents.



They'll tell you that all sorts join the hunt, which of course under the ban means following a fake fox (or that's the idea). But the gulf became apparent when the Master of the Hunt exhorted us to give generously to the helpers' fund 'because we can't afford to pay them properly'. 'Rubbish', my now-lost-in-the-crowd companion tells me she shouted. And apparently there was a bit of aggression when one of the riders deliberately backed his horse into the group of erstwhile protesters.

Well, I don't like the idea of the fox torn to pieces, but I have to say there are far more important things to protest about. And the trouble with the more obsessive and violent objectors is that they care more about animals than human beings. On the other hand, the Countryside Alliance is made up mostly of self-interested conservatives. Never mind, it was fun to see, once at least.

Leaning against the wall of the great barn, it was warm in the sun. And the light was even more brilliant than on Christmas day, so J and I whiled away a pleasant hour around the (closed) Abbey.



We've visited several times, not least when my godson was six and gratifyingly identified a mortar and pestle as Baba-Yaga's flying machine in the Russian stories we'd been reading (still among his favourites). This time restricted to the walkways around the south and east facades, rounding the corner by the Renaissance tower of unscrupulous Sir William Sharington who bought the 13th century nunnery in 1540, a year after its dissolution.


The rather splendid oriel windows date from the time of the early 19th century Talbots, into whose family Sharington's niece had married (W H Fox Talbot famously pioneered the art of photography here). We sat on the bench beneath the biggest and basked in the sun.


After lunch, we were roused to join the family on a last walk close to dusk in a valley near Box.


Lichen on a beech stump contrasted with the fallen leaves of that fascinating-in-all-seasons tree.


An ascent brought us to a field of alpacas


and then on past a very fine group of farm buildings


to the park of a slightly sinister mock-Lacock Abbey (I didn't note the name), home to a charitable Lebanese foundation, with plenty of fine trees in its ground.



New Year we spent in the bosom of friends Jill, Susie and Michael back in North Norfolk. The weather was not, to put it mildly, amenable to any but the shortest walks this time, but apart from visits to more churches, including the extraordinary Binham Abbey which I need to cover here anon, we had one big compensation. As we were driving from Binham towards Hindringham on New Year's Eve, the pall lifted in the west for an unexpected sunset


and then to our left - a rainbow lit by the glow. Not just a strip, but a whole arch - and then a second: a full double rainbow.


I curse the fact that my camera battery needed recharging, but Jill and J rushed to get their iPads out of the boot, so these three treasurable pics courtesy of our valiant driver and Norfolk churches walks doyenne record the moment. Let it stand  as a symbol at least of a really wonderful 2013, whatever this year has in store.


*see comments below for the reason why.

Tuesday, 9 August 2011

Lacock half-century




176 years ago this month William Henry Fox Talbot of Lacock Abbey produced his first miniature negative images of doors, windows and walls around his home (the above suggestive, quasi-Dutch-genre picture was in fact taken almost a decade later in 1844). 50 years ago today the diplo-mate was born in Romford. We little thought he'd be celebrating the big half-century in style courtesy of our dear and genial and infinitely thoughtful friends Deborah and Andrew van der Beek of Cantax House in same National Trust-run idyllic Wiltshire village (I introduced readers to the artistic delights of the house two years ago; scroll down past the Stokes Croft stuff).


The Cantax broom photo up top, I promise you, was not a set-up; I only just thought of the Fox Talbot connection when I was musing what to put first in a selective view of Saturday's big party. It's among the first of all too many shots I took throughout the day; fab foodie caterer Zoe had just arrived with the raw ingredients for her Moro-inspired menu, including a box of white peaches for the Bellinis to be served up at 6 in the sculpture garden (after 4 o'clock tea and scones with equally carefully selected strawberries for the jam).


Said diplo-mate shies away from net recognition, and it wouldn't be fair to expose too many of our guests to the indignity of blogshots. But I feel I must at least feature two of my oldest, dearest friends from university days, Ruth and Lot, chatting beneath Deborah's most inspired piece of topiary after our morning walk along the Avon.


What else can I show? The beech-hedge of fame, perhaps, where guests were asked to choose their most admired personality for later teaming-up with idol's mate or friend (this never properly happened as it was supposed to be a seating-plan thing, but everyone sat with whom they wanted and we didn't want to break up the easy flow).



Hay-baled seating and tables - a serendipitous legacy of Andrew's summer music schools - before tea


and between tea and supper


which duly followed from 8pm onwards.


And a little film to give you an idea of the exquisite interconnected gardens which made it such a moveable feast, a bit like a Bubble Theatre show without the script. We start on the topiary tower and look down on the gardens before (as I all too loudly proclaim) coming back to where we started. Never did dance as planned to our accordionist, but again it all just evolved naturally and everyone seemed happy to talk to everyone else. Quality, inevitably, is poor and woolly, as it's only the 'movie' facility on my miniscule Olympus, but it does give some idea of the garden 'rooms'.



I guess journalists could make a meal out of the fact that one very lucky segment of the population quaffed Bellinis in an English country garden while Tottenham burned. Yes, the fact is we all live in our own little bubbles of community in London, but I also reckon that, while the violence has a lot to do with dispossessed youth excluded from society and yet told to want and consume what everybody else has, we at least strive for an inevitably flawed kind of integration better than most - as despairing councillors around the London boroughs have obstinately maintained.

Is there a still deeper cause? If so, Camila Batmanghelidjh of The Kids' Company can put her finger on it, as one of the few articulate people close to the problems of poverty and inequality. Superb if chilling speech she gave on Radio 5 this morning (you can find it on the BBC News site if you scroll down). Lives proceed along parallel tracks, rarely meeting, and the rest of society muttering unhelpfully about 'criminal acts...punishment...no justification' If I were at the receiving end of this mob violence, I'd probably feel the same.

As for the contrasts of recent days, I thought especially of my favourite poem, Auden's 'A Summer Night' - based on the experience of the Downs School in our equally beloved Colwall beneath the Malverns where the poet taught, and where they used to actually carry their beds out in to the grounds (so 'out on the lawn I lie in bed' isn't just a poetic fancy). For Auden, it was the looming war which seemed so alien to his intense experience; these past few days, the chaos has all been a lot closer to home. Coincidentally, the sculpture you see on the lawn - uneaten side only - Deborah called 'the world gone pear-shaped'.


Thus, anyway, the connecting stanza:

And, gentle, do not care to know
Where Poland draws her eastern bow,
What violence is done,
Nor ask what doubtful act allows
Our freedom in this English house,
Our picnics in the sun.



10/8 If anyone thinks it isn't possible to get a grim laugh out of all this, take a look at the latest post from the toecurlingly fantastical spEeak You're bRanes.

13/8 On a more cosmic scale, I can now confirm that the shooting stars at least half a dozen of us saw so clearly from Lacock last Saturday on an exceptionally clear night are part of the Perseid meteor shower, now at its peak (though apparently a full moon takes the edge off the spectacle).