Happy Europe Day

Let's just celebrate it to the full while we can - probably for the last time on the scale of the usual Europe Day Concerts held in St John's Smith Square for the past ten years. Do stay with the above film until it breaks out into Andrew Manze's Lully/Rameauification of Beethoven's 'Ode to Joy' setting*. We were lucky to have the brilliant Rachel Podger with us in 2016, and I'm happy to share another piece of good news today: Irish soprano Jennifer Davis (pictured below at the 2017 Europe Day Concert), who sang Nielsen, Mozart and Bizet so well alongside tenor Thomas Atkins as our Royal Opera Jette Parker Young Artists participating last year, is to take on the role of Elsa in the RO's new production of Wagner's Lohengrin next month.

Very sorry for the delightful Kristine Opolais, who's had to pull out and has had a tough time of it recently, but hoping this will launch Jennifer properly on the international scene.

We'll also be waiting with nervous anticipation to discover how the best guitarist I've ever heard, Sean Shibe, fares at tonight's Royal Philharmonic Society Music Awards: he's been nominated as one of three in two of the categories. We hope he'll hotfoot it over for the post-concert party at St John's, but if not, we'll raise a toast, whether he wins or not.**.

Tonight's programme is about 'Crossing Borders' - Mozart into Spain and Italy, with tenor Ben Johnson and soprano Jenny Stafford also sharing half of Britten's homage to Rimbaud, Les Illuminations, Dobrinka Tabakova transporting us to the Dolomites with her Bell Tower in the Clouds, fellow Bulgarian Michael Petrov as soloist in Bruch's Adagio on Celtic Theme for cello and orchestra, Massenet in Spain, Sullivan in Venice and a grand final flourish from Jonathan Bloxham and the Northern Chords Festival Orchestra, superlative last year, in Brahms - the homaging of Swiss alphorns is the pretext for the finale of his First Symphony. Its big theme will set us up nicely for the model, Beethoven's, always an anthem worth standing for.

*Most recent update (11/5): this year's Ode to Joy and a bit of the intense silence after it is now up and running as a film here. The rest will follow in due course.

**Brief update (10/5): Sean won the RPS Young Musician award. Congratulations, and what great choices throughout (meaning that I agree with them). Meanwhile, a phenomenally well executed Europe Day Concert at St John's hit the heights before ending on an elegiac note as the Ode to Joy was followed by a one-minute-plus silence, ended only by someone's mobile phone going off. We vowed that there will be another next year, however difficult it may be to raise the money.

Full report of the latest Europe Day Concert ere long.

To Hope/An die Hoffnung/À l'Espérance

Always makes me a bit tear-y when everyone stands for the European Anthem, aka Beethoven's Ode to Joy, at the end of each Europe Day Concert, and all the more so watching this version with a difference. Stick with it beyond the first statement.

For 2016's event at St John's Smith Square we had the European Union Baroque Orchestra led by Rachel Podger and singers from the European Opera Centre in Liverpool (more usually partnered by the European Union Youth Orchestra. I'm sorry that the EUYO's admin couldn't trumpet the long-postponed result that the EU itself decided to save them as loudly as they proclaimed the initial disgrace).

La Podger is such a born communicator as well as a great stylist, and though for me a little Baroque goes a long way there were treasures here, especially when she played solo or in duet.

It's not usual that the obligatory anthem finale is the highlight, but thanks to Andrew Manze's Rameauification of Beethoven, this one was.

Who knows if there will be another such event next year? There's still much to hope for, which is why I'd change the title of Schiller's An die Freude to An die Hoffnung. The classical music world is weighing in - finally (not enough solidarity during the campaign). Jasper Parrott wrote an eloquent letter; in this Guardian article the Guildhall School imagines what its orchestra would look like without its full European quota.

Now let's have a series of parliamentary votes - including one to get rid of Corbyn, in whom I'd placed some trust but whose heart clearly wasn't with Remain - and an early general election. There's no way at least half this divided country is going to accept the self-perjuring Boris Johnson as Prime Minister. Theresa May is no alternative - let's remember this nasty piece of work wants us to withdraw from the European Convention on Human Rights, for which she has been rightly excoriated again by the only strong leadership voice in the entire country (as it currently stands), Nicola Sturgeon  - and God save us from that other grinning goon Jeremy Hunt. Wasn't too sure about the wisdom of a second referendum - there may be more violence on the streets - but have just been reminded that Ireland and Denmark 'did it again'.

In the meantime, I am beyond disgust with the pondlife - sorry, dear frogs and freshwater creatures - once known as Nigel Farage. Complained to The Guardian for their putting up his speech in full and not those of the honourable Germans and Scot this morning; they took my point and replied - very swiftly, it has to be said - that they had limited space. I believe strongly that alongside due process this petition to prosecute an unelected monster for his horrific neo-Nazi poster should be signed.