Showing posts with label Julie Andrews. Show all posts
Showing posts with label Julie Andrews. Show all posts

Saturday, 15 March 2025

A beautiful goodbye to my mother


Today would have been my mum's 94th birthday. She so nearly made it, had a mostly splendid final year at the best of care homes, Greenacres in Banstead (run by the not-for-profit Anchor company), visiting which was always a joy, and seemed to be recovering from a chest infection when she died suddenly on 30 December. I've stated it already: no regrets, because she never declined in to a miserable last few months, and was adored by her carers who still tell me they miss her so much.

I was delighted that one of them, the lovely Myrna Ward, spoke so beautifully at the funeral alongside the physiotherapist I got in to see her every week, Bhawna Brijwani. The idea was to get people from various periods of mum's life to follow my eulogy (which I managed to get through without succumbing to tears, or at least only briefly towards the end. I'm used to speaking without a script, but the words just flowed when I wrote). So my childhood friend Gail, whom I haven't see for years, spoke about the friendship between her mum Marie and mine, which ran from aged two to the ends of their lives - birthdays and departures were astonishingly close. In the photos below (you can always click to enlarge), on the inside front cover of the order of service: mum as a baby with her parents, as a little girl prancing on the b, as a glamorous teenager not long before her beloved mum's untimely death; with my dad; with the children who loved them as their second set of parents before I came along, cousins Diana and Michael with her and mother Edith, Sara and elder sister Sue with mum and dad. 

Liz Grover from what started out as the Young Wives' Drama Group gave a vivacious tribute, and goddaughter Sara, who gave mum so much pleasure by visiting Greenacres regularly with daughter Hanna and baby grandson Lenny, read the bit from the Bible I'd requested, the famous Corinthians passage about faith, hope and love. Inside back cover: son in the picture, born eight years after they got married, with parents at Eastbourne and in the back garden, dressed in the costume mum made for me as Sir Joseph Porter in our junior school production of HMS Pinafore, with dad holding adored Zsabo; with stepfather Ron, his dog Jinty and mum at graduation; mum and Ron at another wedding; mum with friends - Marie in Sorrento, Margaret in Cambridge and Joy, who died in 2024. That's on a boat somewhere (the only one of the two of them I could find that was any good).

Of the hymns, I had no choice but to give in to mum and her friends with 'Make me a channel of your peace' - at least the words, by St Francis, are good - but got my way with 'Lord of all hopefulness' and 'Guide me, o thou great redeemer'. And of course I organised the music, knowing that mum would have loved it, though I'm still not sure what her own personal choices would have been (I'd asked, but never got very far). I am sure that she would have loved the major participation of violinist Benjamin Baker, whom she always remembered as a brilliant young violinist of the Yehudi Menuhin School, where she and Joy ushered. Even in her last year, when I mentioned him, she cited the YMS immediately. This is Ben in rehearsal with Tom Pope, one of my oldest friends, from university days.

Tom also accompanied Ben and my other half, Jeremy, in an aria from Bach's St John Passion, and Ben in the most perfect performance of the 'Meditation' from Massenet's Thais you'll ever hear. That came after George Harcourt-Vernon led the prayers. Vicar Kate had just left on holiday, but it was a blessing that lay minister George was available, as unlike Kate he'd known both my mother and myself, when I sang in the choir during the 1970s. 

He did a wonderful job and the big worry, that the service would run over and make him late in accompanying the coffin to North East Surrey Crematorium to give a valediction, didn't materialise; he, Jeremy and Liz got there in good time, while I hosted the rather jolly tea laid on by the Mothers' Union in the Open Door cafe just down from the church. Biggest joy here was to see adorable 'Auntie' Betty Reavley, who hadn't changed at all in her sweetness even at 97, and her daughter Jill, family of my youth, and Margaret Carter's eldest daughter Marese, another playmate along with her sister Katie in early days (I now realise that though an only child, I was never without surrogate brothers and sisters). Here are Marese and Betty.


 I felt so supported, too, by four friends from Dublin who didn't know mum but came out of solidarity, and a cluster of my great university pals, pictured below (from left to right Tom, Simon - who played Debussy's Syrinx so beautifully in the service - Jo, Catherine and Mary, whose dad the Rev (later Canon) Thomas New had been such a presence (he died last year, and Mary was back in her old stamping-ground for the first time in years).

I don't mind at all if people want to watch the whole service,  filmed with excellent sound by All Saints and placed on their YouTube site. The formal part starts at 11m30s, Ben playing as the coffin is brought in with more Bach (the Andante from the Sonata for violin in A minor). If you just want to witness the musical side, the Bach aria is at 38m20s, Syrinx at 46m45s and the Massenet 'Meditation' at 1hr6m7s. The playout is also worth catching - Julie Andrews singing mum's party-piece, 'Burlington Bertie from Bow'.

The splendid floral bouquet for the coffin - I wanted purple, yellow and white - should have been collected from the church by Greenacres, wasn't and actually seemed just fine on the lawn by the porch; it lasted three weeks.

The final gesture is to get mum's ashes placed as near as possible to dad's beneath the west tower of the church, and to have a small headstone made. There will be one more little ceremony for that. Meanwhile, warmest thanks to everyone who came, participated or just watched live or later. Finally, here's a repeat of mum still looking elegant on her 93rd birthday, the photo I used for the back cover of the order of service.

Happy 94th, mum - we won't forget you. 

Saturday, 31 July 2010

Two for Mahler




With thanks to 'Schopenhauerian' on the BBC Message Boards, who posted the link, and acknowledgment to Gavin Plumley over at Entartete Musik, who I belatedly recalled put up the same YouTube song some time back and who's another almost as much in love with Sondheim as he is with Mahler, let's hear it for Lainey and yet another variation on her immortal toast from Sondheim's Company. 'Two for Mahler' is acknowledgement that at the end of this post you can hear another interpretation proposing 'one for Mahler', Sondheim's bottoms-up to another anniversary boy. In her terrific one-woman show, the divine Stritch told us that at the time of the Company premiere, she thought 'a piece of Mahler's' might be a slice of cake you went round to Mahler's Broadway deli to consume after 'a matinee, a Pinter play'.

This, anyway, in keen anticipation of tonight's Proms birthday tribute including Bryn Terfel, Maria Friedman and Dame Judi's immortal rendition of 'Send in the Clowns'. When I saw her play Desiree in A Little Night Music at the National, it struck me how you don't really need a great singing voice for this - Glynis Johns didn't have one either - but you do need an impeccable sense of musical timing and/or freedom (which Sian Philips as the matriarch didn't seem to have). Would so love to have seen Angela Lansbury on Broadway - again, the nuancing seemed wonderful from what I've heard. Do listen to this remarkable octogenarian talking to Mark Coles on the BBC World Service's Strand programme. Now that she's left the run, who's going to take her part but - Elaine Stritch. Bernadette Peters will now play the Zeta Jones role. Worth a trip? Perhaps, if only I didn't find Sondheim's second act a let-down after the bewitching Bergman original.

Talking of veterans, if only they'd bring in Cleo Laine tonight to sing 'I'm Still Here'. Her performance of it on the vintage 'Cleo sings Sondheim' CD, one of our most played, is up there with Elaine's. One Dame who wouldn't be singing, but might do a nice line in presentation, is the recently-maligned Julie Andrews. What a knockout performer she was, though, right up to the catastrophe. If you doubt it, watch '(Not) Getting Married Today' from the Sondheim anthology Putting it Together. The picture quality ain't great, to put it mildly, but the sound is just fine.



In the meantime, let's end with another consummate performer giving a different take on 'The Ladies who Lunch', Carol Burnett. Anyone see the 'spiders' episode of the Larry Sanders Show in which she tells her host she saw his balls? Quite apart from that, I reckon it was the funniest episode ever. Anyway, that's not on YouTube, I guess for copyright reasons. Here's Carol. I need a bit of cheering up* anyway after the farrago of last night's Zandonai car crash at Opera Holland Park.



Sunday press: you can read the Arts Desk review of last night's semi-spectacular here. Plus another of Chris Christodoulou's photos since I can. No need, I guess, to signal the stars?


* Did I say cheering up? Watched it through to the end and it's wrist-slitting time...